Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Motel the Operator poster

Motel the Operator (1940)

Motel, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide. The richly-rendered beautiful Yiddish songs by Sholem Secunda featuring Cantor Leibele Waldman and Joel Feig's famous choir are a good example of the bittersweet melodrama in the finest tradition of the Yiddish theater.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Motel, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide. The richly-rendered beautiful Yiddish songs by Sholem Secunda featuring Cantor Leibele Waldman and Joel Feig's famous choir are a good example of the bittersweet melodrama in the finest tradition of the Yiddish theater.

Rating:
Genre:Drama
Directed By:Joseph Seiden
Written By:
In Theaters:1/15/1940
Box Office:

Runtime:88 minutes
Studio:Cinema Service Corp.

Articles You May Like


Moonage Daydream: an artist who never conformed, but only evolved

With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.

Andrea Kreidler