The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

Within a community of motels infamous for illicit activity, the Shaw Family grapples with housing insecurity and addiction while trying to raise their young son. When California's High-Speed Rail Project displaces them, a glimpse of stability appears within reach. A vérité, street level vantage of post-industrial America, documented over eight years, on one city block.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Endgame not only did not drop the ball, but it delivered for fans so much that it went on to become the highest-grossing movie of all time!
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.