“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

A loving couple are killed after drawing a map of the coveted Moslem Sacred Fire Decrees with their blood under coercion. The map is split into eight parts, placed separately in the custody of the eight leading martial sects. The children of the couple are adopted by Elderly Spirit from Hades and Nun Silence of Emei respectively. Growing up, the son Wan Tin-sau inherits from Hades all the skills he will need to know to take on the nun and her protegee in a duel 18 years later...
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
A young girl named Hailey Mays sings a country song that is named after the film's title.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.