Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

The young man nicknamed "Amur" works as a taxi driver in Moscow. Every day his taxi passes through the entire capital from the outskirts to the center. Areas, lifestyle, people are changing before our eyes. But Cupid will not find his place here. Moscow is just another source of problems for him. But once the capital itself decides to achieve reciprocity from Amur! It turns out to be the “intersection point” of three love stories at once.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Overall this movie was an easy watch, but by no means a worthwhile watch.
This is a list of seven films that explore police brutality and systemic racism made by Black filmmakers. These are important movies to watch and to take in, as — through the power of cinema — they showcase what it feels like to be a Black person living in a country that is internally designed to be against you.