An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

The Moffatts are in trouble. Their sick young daughter Franny almost died in October, and, wanting to make her final days good ones, they held a fake Christmas for her. A couple of months later, as the Moffatt household wakes up on December 25th, Franny is still alive, and the rest of the family have fallen apart. Big sister Veronica has hidden the family cat in the cupboard, and spends her days searching the streets for a new family. Brother Neil has given up talking altogether, and barks like a dog at his parents who are arguing about health food. When Franny finally wakes up she announces, with a smile on her face, that today is Valentine's Day.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.