Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The Moffatts are in trouble. Their sick young daughter Franny almost died in October, and, wanting to make her final days good ones, they held a fake Christmas for her. A couple of months later, as the Moffatt household wakes up on December 25th, Franny is still alive, and the rest of the family have fallen apart. Big sister Veronica has hidden the family cat in the cupboard, and spends her days searching the streets for a new family. Brother Neil has given up talking altogether, and barks like a dog at his parents who are arguing about health food. When Franny finally wakes up she announces, with a smile on her face, that today is Valentine's Day.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
Make way for more Latine representation! Disney has released a toe-tapping musical trailer for "Encanto", which features more diversity than expected!
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.