Moritz Neumeier: Kein scheiß Regenbogen 

In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

It’s dark, uncomfortable, and there are things that don’t make sense.

Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.

"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.

Richard speaks with Dia Frampton about some of her experiences with acting and music.

Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.