Mia, Lukas and Jonas always where like one heart and soul since their earliest childhood. Until three years ago when everything changed. Friendship became love that is well beyond all conventions. A Part of the society feels provoked by such kind of companionship and meets them with some lack of understanding to say the least. Even their parents aren't really fond of the situation. Once a year, the trio makes a trip. During which they try to let emotion flow as they come, not having to fear the reactions of others. Now there is the time again for such a trip. And that is where the film starts. After renting a mobile home the journey starts as usual. Only one thing different this time, Jonas was diagnosed with cancer in terminal state a few months ago. The three of them know that this might very well be the last trip they will ever make. Regardless, Mia and Lukas try their best for Jonas not to think of the inevitable. Sadly the vow to spend the last trip only in joy, fails.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
