Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Bella, a 30-year-old Guinean cabaret singer, lives a miserable, dangerous life as a prostitute in Dakar. Though she longs for escape, a gang of pimps, led by Kèba, treat her like property and make sure she keeps in her place. Her only hope is the thought of earning enough money to escape and reunite with her daughter, who she gave up at birth at age 15—a desperate act that haunts Bella’s nightmares and fills her with guilt. While fleeing an angry client, she meets Yélo, a Guinean worker for the United Nations, who happens to be passing through Dakar. Instantly smitten, Yélo agrees to help Bella, and so begins an epic journey of redemption, from Guinea to Paris. But can the young couple escape the clutches of the menacing Kèba?
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
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