“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?