Miharu, who dreams of marrying a wonderful prince like Cinderella, stays in Kirita's room. Kirita has just become a celebrity. Meanwhile, Miharu's junior colleague Tama-chan is enjoying SM play with the pervert Tashiro. Miharu develops feelings for Kirita, but Kirita has no ability to hold a woman. One day, she begins a physical relationship with Puff's manager, Shou. After 5pm at QL, Miharu, looking for Tama-sama, can't help but smile at the new man who approaches her today!
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
