Honey Don't: Sizzles, Before Fizzling
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.

"Lost forever in the vortex of Eastern European anxiety, our puppet hero Hector languishes in scene after scene of contrived torment. Antiquity is thus his total realm, his self... This is the flipside of Perestroika; the solid weight of monuments and walls crashing down on waiting faceless figures." - David Cox, Cantrills Filmnotes, Issue 63/64, December 1990.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Emily and Stephanie are back... just add gin and drama.
Overall, The Shining is a great film to watch for its atmosphere and setting. While the characters’ portrayals could’ve been more accurate to the book, they’re all still memorable nonetheless.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.