The film, shot ‘inside and outside’ Milan’s central station, uses this particular architecture as a model for discovering that within the environment we inhabit and work in, there almost never exists a relationship between space and its use. It pinpoints the ‘detachment’ which means expressing one’s own critical attitude towards the kind of architecture that refuses to accept any ‘vital’ aspects but reduces itself to a ‘monumental structure’ that is not able to contain the dynamics of human relationships.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
