'Don't Breathe 2,' the Horror Sequel That Offers a Rapist an Undeserving Redemption Arc
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.

Part four of a multi-part documentary series with distinguished actors, directors, writers, composers and special effects mavens examining the history of the horror, fantasy and science fiction films from the groundbreaking silent 1920s through the Golden Age of Universal, the Silver Age of Hammer and up through the 1980s and beyond. This DVD begins with the late 60's era Blacula and Splatter films; then moves on to the cinematic evolution of the 70's with The Invasion of the Body Snatchers, The Planet of the Apes, The Exorcist and the films of the great Stanley Kubrick; and then concludes with the apex of the 80's including Alien, Star Trek, The Howling and more! Collect all four chapters in the Monster Madness series and enjoy never before seen interviews and fun-filled facts about the stars, the producers and the movies that made America want to go to the theater!
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.