Monster a Go-Go! (1965)

When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.

One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.

Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.

The film is a powerful narrative encompassing a theme that many people can identify with.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.