“Young Washington” is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

A voice says: in the house next door, there was a lonely old man. When he died, diaries were found in which, probably throughout his life, he had recorded the various events of his daily life. A hand opens the one for 1968. A fine, manic handwriting lists: things seen on TV - talking about technical progress and happy tomorrows - a long walk with "Mère" through the streets of Montreuil, little anecdotes from the cartography workshop at the Institut Géographique National (where Monsieur M works), the fridge breaking down... Surprises too, like the first time he gives a coin to a beggar, or when "Père" brings the forgotten snack to work. And at regular intervals: "I wash myself thoroughly"... A well-adjusted life, in short, until early May, when echoes of the world in turmoil make their way into the notebook: riots, general strike...
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.