Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Monrad & Rislund i Køge
We would strongly advise against this, unless you enjoy vulgarity based on obscenity. As always, their show is sharp, engaging, and satirical—right on the edge (and far beyond), and it is delivered directly to the audience, ensuring it will never be forgotten. Otherwise, it's business as usual with the washed-up diva Henriette Fladmann, who is visited by her old friend Eilert Mørch in her own show and taught about new aspects of the joys of sex. World star Onkel Meljävning comes and performs his nihilistic minimalism. Pladderballe and the surrounding area are uncomfortably similar to themselves, and yes: Mogens still drops by... and with the best Øyvind Ougaard ever as bandleader.
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We would strongly advise against this, unless you enjoy vulgarity based on obscenity. As always, their show is sharp, engaging, and satirical—right on the edge (and far beyond), and it is delivered directly to the audience, ensuring it will never be forgotten. Otherwise, it's business as usual with the washed-up diva Henriette Fladmann, who is visited by her old friend Eilert Mørch in her own show and taught about new aspects of the joys of sex. World star Onkel Meljävning comes and performs his nihilistic minimalism. Pladderballe and the surrounding area are uncomfortably similar to themselves, and yes: Mogens still drops by... and with the best Øyvind Ougaard ever as bandleader.
Rating:
Genre:Comedy
Directed By:
Written By:Jan Monrad, Søren Rislund
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