“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

Felix, now in his late twenties, always knew that he would get married at some point. Now he is convinced that he has found the woman for life in his long-time girlfriend Fabienne. But no sooner has he persuaded Fabienne not only to marry him, but also to have a romantic wedding with all the trimmings, than the preparations for the big event turn out to be an explosive minefield. Surrounded by to-do lists and discussions about family names, the inevitability of events sends Felix into a panic. Suddenly all the women seem to be smiling at him invitingly, and when the fascinating Johanna reappears in his life, Felix cannot resist the temptation. He wonders whether it's really just a guilty conscience that drives him to tell Fabienne about his infidelity between the registry office and the altar.
Like most young people, Leviticus is imperfect. But I love it anyways.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.