“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

In an orphanage around the year 1900, the principal of an orphanage tries to earn some money by selling the orphans for child labour. The moment we step in the story one of the orphans, Wim, is about to be sold to a brutal man. The man wants Wim to go to the market with a little monkey to pickpocket people. By the time they get to the market, Wim succeeds in escaping with the monkey by hiding in an old canalboat with the help of Jet, a girl who lives at the countryside. When they arrive at the farm where Jet lives, he meets Jets little sister Sien and her friend Ot, two little children who will take care of Wim and the monkey for the next weeks. When the brutal man finally finds out the hiding place of Wim, a true chase follows and Wim is locked up in the orphanage again. But then Jet’s father, a schoolteacher, interferes…. A story for the whole family about the start of the compulsory school attendance in 3D!
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.