“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Mongolism is among Tao Hui's very early films, produced when the artist was still in art school at the Sichuan Fine Arts Institute in Chongqing. The characters of Tao Hui's early films are loosely based on popular costume dramas from 1990s Chinese television. Shot in brilliant color, the film follows a young protagonist clad in bright green historical costume. Yet from the beginning, narrative levels are interwoven as a contemporary figure is shown putting on make-up and dressing up. Except for one line, there is no dialogue, only ambient noises: dripping of water, animal sounds, singing, and the percussive rhythms of the marching band's playing.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
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