The tribulations of five youths start this film. Libreville is home to Mougler and his friends, Baby Lee, Joker, Jackson and Bezingo. The boys are left to fend for themselves and decide to rob a dôlé stand, a new game of chance in which you can become a millionaire. The stakes are high and so is the risk. But Mougler who is more and more worried by his sick mother’s condition decides to go ahead with the holdup.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
