Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Yuko, an office lady who was a member of the track and field team in her school days, never misses her morning jog. She has a crush on Teppei, a university student, but she is too shy to talk to him. Yuko has just moved to Tokyo and is not used to city life. One day she witnesses a molester on a crowded train and then gets molested herself. Even though she screams "stop it," the people around her are only distracted by her strong accent. Yuko finds solace at the izakaya run by Ken and Kumiko. Since Kumiko is from the same hometown, Yuko is able to relax. Teppei starts working there as a part-timer. Yuko is embarrassed and can't speak to him. That night, she masturbates for the first time while thinking of Teppei. One day, Yuko's older sister Yayoi comes to visit her. Yayoi is on honeymoon with her husband Yoji, who is also a train enthusiast. Yuko tells Yayoi about her unrequited love and is advised to pour all her energy into expressing her feelings...
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
Effortlessly beautiful and surprisingly tragic.