Andhadhun: A Retrospective
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.

Based on a true story, Mokhtar recounts the tale of a young boy who lives with his family of goatherds in a remote, Moroccan village. One day, the boy finds a fallen owl and decides to keep it, despite the fact that the owl is considered a bad omen. Mokhtar's new pet becomes a symbol of rebellion against his family and an icon of his fledgling independence. Kinship, religion and spirituality are all confronted in this astounding piece that celebrates inner and outer strength.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.