It portrays the life of a transsexual named Moisés, who filled Chile with glamor during the years of the dictatorship. This is a film that was born under the wing of multidisciplinary artistic days united in the concept "Bobe Al Camp Troupe". Under that name, hours of artistic discussion took place between Bobe himself, his brother Andrés -the former musician of "La Ley"-, Álvaro Henríquez, Javiera Parra, Candy Dubois, and many other representatives of the bohemian and Santiago artistic spree of late from the '80s, who also participate in the film's soundtrack.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
Lin-Manuel Miranda’s 'Vivo' is a children's animated musical rich in Hispanic culture! The story follows a kinkajou as he delivers a love song for a friend.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
