A Bollywood Musical ‘Gangubai Kathiawadi’
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.

This portrait from the "Algerian Filmmakers" collection, created by Linda Tahir-Meriau, focuses on Mohamed Chouikh, born in 1943 in Mostaganem, an Algerian actor and director. In 1965, he starred in one of the first major Algerian films, "L'Aube des Damnés" (The Dawn of the Damned) by René Vautier and Ahmed Rachedi. In 1966, he appeared in "Le Vent des Aurès" (The Wind of the Aurès) by Mohammed Lakhdar-Hamina. The film won the Best First Feature Award at Cannes. Until 1970, Mohamed Chouikh devoted himself primarily to his acting career in theater and film. It was Michel Drach's film, "Elise Ou La Vraie Vie" (Elise, or Real Life), based on the novel by Claire Etcherelli, that brought him to the attention of French audiences. In the 1970s, he became a director for Algerian television. In 1989, he directed "The Citadel", which was selected for more than 70 international festivals and won around twenty awards.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.