Early Feminism Shown in 'Footlight Parade' (1933)
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.

Akuto, a guard of Agel who put in underground idol Iku Onne (Yuri Asada) who is boiling hot, receives a mysterious app called "EROS NOTE" from a mysterious man named Dick. One day, Akuhito gets angry at a woman named Mami (Yukine Sakuragi) who is constantly in trouble during work and is thrown at a color cone. And then, in the "EROS NOTE", if you enter "rape that woman" in half doubt, Mami becomes a lewd woman with no soul and is raped by Akujin. On the other hand, Iku who did not pass the audition was tricked by a swindle producer, Sudo, and was forced to provide a physical body with an embarrassing image.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like