“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

Time is running out for two elite criminals as they seek out revenge to get the money they are owed after a heist gone wrong, years ago. They’ve traveled across the country, tracked down their ex-partner and planned every detail of their attack. When they finally come face to face these two criminals will refuse to back down until they get what belongs to them.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Korean culture shines in this Canadian export.