‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

Salim Amin, son and only child of Mohamed "Mo" Amin, undertakes a journey of recollection and reflection into the life of the frequently absent, globe-trotting father he loved, revered and feared. In his late teens, Mohamed Amin abandons his studies to pursue a career in photography which, over the course of thirty years, will turn him into a front-line cameraman extraordinaire - and, arguably, the most renowned photojournalist of his era. Training his candid lens across continents, Mo Amin's thirst for breaking news puts him repeatedly in harm's way - enduring weeks of torture, automatic arms fire, explosives and, ultimately, the amputation of his left arm - to become one of the most decorated news camera-man of all time. The documentary depicts Mo as an unbending, unforgiving and unapologetically rambunctious paterfamilias whose hunger for "the story" propels him to ever greater professional heights - often at the expense of those he cherishes.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'