Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Named after the Greek goddess of memory, Mnemosyne drifts through liminal states and in-between spaces, unfolding as a shifting sequence of mesmerising images that mirror the unpredictable flow of memory. A haunting, poetic atmosphere builds throughout, while meanings remain deliberately withheld, leaving space for personal interpretation within its dreamlike world.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.