Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

Autumn 1988. Renata is studying journalism. She lives with her jealous boyfriend Standa, whom she occasionally cheats on. She edits the school magazine and is perhaps a little more daring than the others, mainly because she doesn't want to be the daughter of her father, a bigwig at the Ministry of the Interior. But the situation is getting out of her hands—Renata's anti-regime mini-activities and her romance with dissident Holý are getting the attention of the STB. Her dad is worried about his career and maybe even convinced that he should disinherit her. Her relationship with Standa is getting complicated.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.