“Driveways”
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

Featuring Kanye West, Chuck D., Gnarls Barkley and many other red-hot hip-hoppers, director Walter Bell's documentary takes you behind the scenes of the illegal mixtape industry. From the music itself to the battles with major record labels, this exposé digs deep for a revealing look at the underground phenomenon. Other artists include Lil' Jon, G-Unit, Ed Lover, Dr. Dre, David Banner, Xzibit, DJ Red Alert, DJ Vlad and more.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.