'American Fiction' Speaks Truth
American Fiction is a genuinely entertaining film with a few lessons.

Mitsuko is 24, heavily pregnant and estranged from the American father of her child. Her parents believe she is happy and successful in America and are unaware that she has secretly returned to Tokyo. Making the biggest decisions on the slightest whim, she moves back into the tenement street where she lived as a child. The move changes lives, reignites old romances and creates a supportive circle of love that may be exactly what Mitsuko needs.
American Fiction is a genuinely entertaining film with a few lessons.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.