'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

During the First World War, the Empyrée Montmartre, a Paris music-hall, is dedicated to patriotic revues whose star is the charming Mitsou. The young artist is not without talent but she is mainly well-connected. She is indeed the cherished mistress of Pierre Duroy-Lelong, a rich industrialist. One night, thanks to Petite-Chose, an ebullient singer-dancer and her co-star, she gets to know a handsome army, Lieutenant Bleu. Mitsou falls madly in love with him and Lieutenant Bleu is physically attracted to her. The trouble is that Bleu comes from a distinguished family and cannot put up with her lack of culture and artistic bad taste...
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
This reboot of The Wonder Years is told from the lens of a Black man.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.