"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Prince Stephan's death has been faked by General Sabattini; leaving Stephan's childlike cousin Nicolai as sovereign. Sabattini is forcing Stefan's fiancée Francesca into marrying him, placing him in line to the throne. Phelps joins a group of Dutch tourists while the rest of the team infiltrate the royal palace as a magic act led by Paris. Before the show begins Barney loots the royal vault. It's the beginning of a complex scheme to rescue Stephan, Nicolai, Francesca and simultaneously eliminate Sabatini.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
This horror movie combines elements of horror and babysitting with Black representation.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.