Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

The Baileys struggle to cope with the recent disappearance of thier 12 year old son Max Bailey.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
It’s dark, uncomfortable, and there are things that don’t make sense.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
The Olivia Wilde renaissance is upon us.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.