Reflecting on 'The United States vs. Billie Holiday'
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.

Miss Rain lives protected by water. Her brother spends his time on a boat fetching her between the lakeside village and the meanders of the river. Whether she is swimming or moving on the water to fish, she is reassured, in harmony with her element. When the rainy season is approaching and it is time to leave the floating dwellings for terra firma, Miss Rain remains alone in her cabin among the reeds. The land sends her back to her nightmares. For her, the forest is the place where the devil hides. Over 30 years ago, under the Pol Pot regime, all of her family was killed in the woods and her spirit has never recovered from it. Her dreams are still filled with shadows and flames.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
The plot lags, the moral lessons are misguided, but are those fluffy little donut creatures adorable? Yes. Yes, they are.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
Swapped combines comedy, adventure and emotional growth while delivering one of the biggest plot twists in animation history.