Ryan Coogler's Sinners Turns Horror into History
Set against the backdrop of the Jim Crow era, the film offers layered representation.

This two-channel film, initiated as a long-distance communication experiment, was the result of an exchange with Fred Moten, the poet and theorist whose work explores representation and identity in black avant-garde culture. Moten and Tsang left each other voicemail messages every day over a two-week period, never actually making contact, but often riffing off of the other’s previous message. The recordings of these messages serve as voiceover for footage of the faces of Moten and Tsang looking directly at the camera with deadpan expressions.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
The Summer I Turned Pretty series adapts the beloved trilogy into a bingeworthy TV show and introduces a new generation to Belly, Conrad, and Jeremiah.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
People are so much deeper and far more extraordinary than what gender they were assigned at birth.