Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.

Natasha works in a private dental clinic, where she runs an illegal business at night with an oriental specialist, Lee. A regular patient, Oksana, comes to see them. Lee enters the office with her and closes the door. The appointment begins. Everything goes according to plan until Granny shows up with a sharp toothache, which Natasha won't let in. Granny calls 112 and faints. A patrol car arrives, one of them is Oksana's husband. What's going on in this clinic?
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
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