Misery 

Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.

A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.

While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.

The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.