As a storm rages, five desperate people are caught in the mirror's power to reveal lost souls, broken dreams, second chances, and some very strange sexual vengeance.
Paulette Victor Lifton
Director
Kim Mai Guest
Annika
Paul Emerson
Ian
Mary Kathleen Gordon
Aunt Mabel
Louis Ortiz
Demon
P. J. Soles
Annika's Mom
Billy Drago
Frederick Champion
Kovács Krisztián
Chad (as Kriztian Kovacs)
Casey McCarthy
Melissa
Alice Amter
Countess St. Croix
Jeff Garvin
Jack "The Ripper"
Grady Lee Beard
Joey "Hunchback" (as Grady Beard)
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.