The young serf Eremey Mizgir is surrendered as a soldier by his mistress for his mischievous tricks. Mizgir ends up in St. Petersburg in the guards regiment. Resourceful, quick-witted, cheerful, he easily copes with his official duties and, although he often gets punished by the sergeant-major for his pranks, he never loses heart. But then sad news came from the village: the old people’s cow had died, and Eremey’s bride Dunya was being relentlessly pursued by the clerk. The soldier felt sad. Standing on guard at the rich, diamond-studded icon of the Kazan Mother of God and thinking about how to help the elderly and the bride, Mizgir decides to take a desperate step. He breaks the glass of the icon and picks out a large gemstone from the aureole of the Mother of God. When the loss is discovered, Mizgir, without blinking an eye, announces that the Mother of God herself gave him the stone.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
