Yanagi Shuji is terrible at being a monk, as he just wants to have fun all the time. His father is the Chief Monk of the Yagira Temple, and Shuji is expected to take over the role eventually.Unfortunately, Shuji is not only not cut out to be a monk, one day, he becomes deep in debt... 10 million yen's worth! In order to repay his loan, he decides to take on the job of teaching literature at a prep school. To be able to earn big bucks, he has to be a charismatic teacher, one that is popular with the students and be in demand all the time. To that end, Shuji decides to put on a bright yellow suit, and help his students learn through comedy and funny jokes.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
