In the north of the pampas, the remains of a population lie hidden under the soil; they’ve been this way for more than a century. Their casual discovery is the starting point with which the film tries to puzzle out that mystery. There where soy reigns, one more battle is fought in the constant struggle of film against oblivion.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
