“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

The double meaning in french of film title MINEURS resume the sense of the film: mineurs as children and as mineworkers in the coalmines. Italy, at the beginning of the sixties. In a little village in Lucanie, little region in the south, four children live in a situation of absolute poverty, but with their plays in the street succeed in living in happiness. In the air the menace and, in the same time, the hope of a telephonic convocation by their relatives, already at work in coalmines in Belgie, in the mine district of Limburg. Two of our children leave with their families, to reach the numerous Italian community of Flandres. The children will have a lot of problems, in the school and with the language, to integrate in a hostile ambient, but, at the end the will succeed.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.