
After leaving prison, Alice takes a job as a waitress in a small cafeteria that sits next to an auto repair garage. She befriends a young man named Milo, who works at the garage, and slowly it becomes apparent that Alice's real reason for getting close to him is deeply personal: Milo is her son.
There is no aspect of this film that falls short, except perhaps in minor ways.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
Andor is an origin story where each side will do whatever it takes.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.