Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

Miles Davis Band, "La Grande Halle De La Villette", Paris, France, July 10, 1991 , Miles Davis (tp) Bill Evans (ss) Kenny Garrett, Jackie McLean (as) Steve Grossman (ts) Chick Corea (el-p) Deron Johnson (syn) John McLaughlin, John Scofield (el-g) Joe "Foley" McCreary (lead b) Dave Holland (b) Darryl Jones, Richard Patterson (el-b) Al Foster, Ricky Wellman (d)
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.