Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

Prague, 1920. Milena's father wants her to follow in his footsteps and be one of the first female doctors in Czechoslovakia, but she is determined to be a writer. She elopes to Vienna with the Jewish music critic Ernst Pollak, and starts a correspondence with Franz Kafka. She leaves Pollak and returns to Prague with her father, where she befriends and translates Kafka. As a journalist, Milena covers the 1923 Ruhr worker's strike and meets the communist architect Jaromir.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
This horror movie combines elements of horror and babysitting with Black representation.