It’s a bird, it’s a plane…it’s "Harriet"!
This is not a story of oppression but a story of liberation.

Jelani secretly married a woman from a different tribe. They fled their country in order to avoid being killed. On foot – and every other way they could – they arrived at a river, months later. Some people die crossing it; others swim across it and enter Europe. But, once they set foot in the first European country, Greece, they found themselves and their children homeless and socially excluded, without being able to move on or go back. Their only solution is to enter Germany illegally, the smugglers say. But they have no money to pay for the whole family to travel. Jelani is faced with the dilemma: If one of the children leaves unaccompanied and arrives safe and sound in Germany, he or she can help the family obtain visas to enter that country. His children will learn in a violent way either how one finds their own planet or how one creates it from scratch; and whether Germany is really the solution or just a new nightmare.
This is not a story of oppression but a story of liberation.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
SPOILERS AHEAD. Premature is a story about the pain of love and realities. Transitioning from youth to our perspective of adulthood, how do we grapple with loss?
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.