Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

Mike Vecchione’s “Low Income White” turns clean comedy on its head with a razor-sharp set that’s equal parts smart, self-deprecating, and relentlessly funny. With the gritty rhythm of the Northeast and the polish of a comedy veteran, Vecchione unloads a barrage of fast-paced, observational humor that hits on everything from aging and generational divides to the absurdity of modern life. Navigating the world with sarcastic precision and deadpan charm, Vecchione doesn’t pull punches—but he doesn’t play favorites either. No one is safe, including himself. It’s clean comedy with an edge, and a masterclass in making the mundane feel hilariously high-stakes.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
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'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.