“Come Play”: Creepy Concept, Lackluster Story
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.

The moon shines, a young couple plays in the forest. Their game leads them to an unfamiliar garden, in the middle of a clearing. Unaware of danger, the young lovers enter the maze of a garden at midnight. Little by little, they are submerged by a intoxicating spell. They lose themselves in the strange labyrinth. Will they manage to break the spell that keeps them prisoner?
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.