A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".
Pearl Bowser, Bestor Cram
Director
Toni Cade Bambara
Self - Author
Robert Hall
Self - Historian
Elton Fax
Self - Illustrator
Pearl Bowser
Self - Archivist
Carlton Moss
Self - Filmmaker
Frances E. Williams
Self - Actress
Shingzie Howard
Self - Actress
St. Clair Bourne
Self - Journalist
Herb Jeffries
Self - Actor
Edna Mae Harris
Self - Actress
James Avery
Narrator
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.